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- A catalyst for dialogue among players, instruments builders,
and scholars
- An advocate on behalf of the organ, harpsichord, fortepiano,
and clavichord
- A publisher of keyboard-related materials
- A presenter of workshops, symposia, concerts, and tours
- A national organization with an international reach
A CATALYST FOR DIALOGUE
AMONG PLAYERS, BUILDERS,
AND SCHOLARS 
The Westfield Center is the only organization with a mission of promoting
dialogue among keyboard performers, scholars, and instrument makers.
Programs sponsored by the Center have brought together professionals
from around the world - including many leading figures - for conferences,
symposia, panel discussions, workshops, and demonstrations, often
in collaboration with major cultural institutions.
AN ADVOCATE FOR THE ORGAN,
HARPSICHORD, FORTEPIANO,
AND CLAVICHORD 
With its educational and outreach programs, the Center acts as an
advocate for the classical keyboard and its music. Programs such as
Festival Organ, with its interactive exhibition
and public talks and concerts, reach many thousands of people across
the country, in many cases providing an important first exposure to
the rich and varied world of keyboard music.
A PUBLISHER OF KEYBOARD-RELATED MATERIALS

The Center's publications range from monographs
for scholars to a full-color timeline outlining the remarkable 2,600-year
heritage of the pipe organ.
A PRESENTER OF WORKSHOPS,
SYMPOSIA, CONCERTS, AND TOURS.
Since its founding in 1979, the Center
has sponsored over one hundred events, including workshops, research
conferences and symposia, tours to historic instruments, solo recitals
and early music concerts, educational programs for children, and
programs--such as the Festival Organ exhibition--designed to interest
the general public in classical keyboard instruments and their repertoire.
A NATIONAL ORGANIZATION WITH INTERNATIONAL REACH
Founded in
Massachusetts, but with offices currently in Washington state, the
Center has presented many programs in Massachusetts (Westfield,
Northampton, Wellesley, and Boston), and in other locations throughout
the United States, including Tennessee, Virginia, California, Arizona,
Minnesota, Texas, Wisconsin, New York, and of course, Washington. Its
first international conference will be in 2006, a conference in
Victoria, British Columbia (Canada). Its members are in 47 states and
18 countries, and its activities include international study tours as
well as publications and symposia on topics of national and
international interest.
A BRIEF HISTORY

The Westfield Center was founded in 1979 by Lynn Edwards and Edward
Pepe to fill a need for keyboard events promoting performance practice
and instrument building in historical styles. Ms. Edwards, an organist
and scholar, served as the Center's Director 1987-1999. In July,
1999, Roger Sherman, became Executive Director. Mr. Sherman is is
an organist and harpsichordist.
In addition to his duties at the Center, he serves as the associate
organist of St. Mark's Episcopal Cathedral in Seattle, and as owner
and CEO of Loft Recordings, a company that produces CD recordings
as well as the weekly radio program The Organ Loft.
Established as a membership
association for organ performers/scholars, the Westfield Center's
initial focus was on early Renaissance and Baroque music and instruments.
It sponsored workshops and conferences, published monograms for
scholars, and presented period-instrument concerts, many of which
were rebroadcast by National Public Radio stations, and was cited
for its innovative programming and leadership in the field of early
music.
Recognizing the close
connection among all keyboard instruments, the Center's programs
have expanded to include the fortepiano, the harpsichord, and the
clavichord in addtion to the organ. Its membership
now approaches 1,000 worldwide and its focus embraces all periods
of music history.
In pursuing its mission
to promote the study and appreciation of the organ and other keyboard
instruments, the Westfield Center has become a vital public advocate
for keyboard instruments and music. By bringing together professionals
and an increasingly diverse music audience, the Center has inspired
collaorations among organizations nationally and internationally.
Board of Trustees and Board of Advisors
Contact us
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Conference
participants
George Buelow and
Robin Leaver


A mechanical-action
organ model built by
Ted Brinduse and part of the Festival Organ exhibition.



Susan Tattershall
lectures students at
Westfield workshop in
Tlaxcala, Mexico
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